Message-Id: <200208301636.g7UFRYx9007622@sitelicense.arizona.edu> Date: Fri, 30 Aug 2002 12:31:14 -0400 From: Marlene Gordon <mailto:mgordon@UMICH.EDU> Subject: Computers and the History of Art conference To: mailto:IMAGELIB@listserv.arizona.edu
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CHArt Eighteenth Annual Conference
DIGITAL ART HISTORY?
Exploring Practice in a Network Society
Thursday 14th and Friday 15th November 2002
- PROGRAMME -
Following on from the CHArt Conference last year, this conference will
look further at the transformation History of art is undergoing through
engagement with the digital revolution. While presenting developments
in teaching and resource management the conference will also consider
innovations in online art and new research methods.
KEYNOTE ADDRESS
Professor Tim Benton, The Open University.
THURSDAY NOVEMBER 14th
SESSION ONE; TEACHING AND COMMUNICATION
John Calvelli, The Art Institute of Portland, Oregon, USA.
Art History, Design and the Digital Database.
Andrew Hershberger, Bowling Green State University, Ohio, USA.
Using OHIO LINK's Digital Images in the Classroom.
Emilie Gordenker, Gallery Systems, London, UK.
Digital Collaboration: Building a Kiosk for Digital Responses.
Mary Pearce, Kingston University, UK.
Animating Art History: Digital Ways of Studying Colour in Abstract Art.
LUNCH - WITH DEMONSTRATIONS
SESSION TWO; ONLINE ART
Lanfranco Aceti, Central St Martins School of Art, London, UK.
Getting Laid on the Procrustian Bed: Art Practice in the Digital World -
One Man Versus One Pixel.
Melina Berkenwald, London, UK.
Exploring the Use of Digital Technologies in Art Practice.
Jonah Brucker-Cohen, Media Lab Europe, Dublin, Eire.
Physical Web Interfaces.
Michael Hammel, University of Aarhus, Denmark.
Welcome to the Pleasure Dome! Will There be Art in the Global Village?
FRIDAY NOVEMBER 15th
SESSION THREE; ARCHIVES AND RESOURCES
Luciana Bordoni, ENEA (Italian National Agency for New Technology,
Energy and Environment), Rome.
COVAX: A Virtual Archive in XML.
Rupert Shepherd, University of Sussex, UK.
Databases and Art History: The Material Renaissance Project.
Polly Christie, Visual Arts Data Service, Surrey Institute of Art and
Design, UK.
Curating Digital Collections and Curating Collections Digitally.
Annette A Ward, Margaret E. Graham, Nic Sheen, K. Jonathan Riley,
Institute for Image Data Research, University of Northumbria at
Newcastle, UK.
Enhancing a Historical Digital Art Collection: Evaluation of
Content-Based Image Retrieval on Collage.
CHART AGM
LUNCH - WITH DEMONSTRATIONS
SESSION FOUR; METHODS AND PRACTICES
Ida Engholm, The IT University of Copenhagen, Denmark.
Digital Style History: The Development of Graphic Design on the
Internet.
Dunja Kukovic, University of Ljubljana, Slovenia.
New Media: Its Aesthetic and Representation.
Antonio Criminisi, Martin Kemp and Andrew Zisserman, Microsoft
Corporation, USA, and University of Oxford, UK. Bringing Pictorial Space
to Life: Computer Techniques for the Analysis of Paintings.
Simon Rodwell, The Open University, UK.
DVD and Visual Resources.
DEMONSTRATIONS
To be announced
BOOKING
The booking form is available online on
www.chart.ac.uk/chart02-form.html.
Conference Fees ( pounds sterling) - includes mid-morning coffee, lunch,
and afternoon tea
breaks.
CHArt Member: £70 (two days) £40 (one day)
Non-member: £100 (two days) £60 (one
day)
CHArt Student Member: £40 ((two days) £20 (one day)
Student Non-member: £50 (two days) £25 (one
day)
Bookings made after 15 October 2002 will be subject to a £20 surcharge
for two day bookings and £10 for one day bookings. Send bookings to:
Will Vaughan, Chair, CHArt, School of History of Art, Film and Visual
Media, 43 Gordon Square London WC1H 0PD. mailto:w.vaughan@bbk.ac.uk, Tel (+44)
(0)207 631 6127, Fax (+44) (0)207 631 6107.
---- Marlene E. Gordon Visual Resources and Music Collections University of Michigan-Dearborn 3045 CASL Building Dearborn, MI 48128-1491 313-593-5463 (voice) 313-593-1902 (fax) mailto:mgordon@umich.edu</pre>
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