Film vs Image vs COM

From: Emil Levine (emil.levine@CHELLO.AT)
Date: Fri Oct 06 2000 - 01:20:14 CDT

  • Next message: McFarland, Anne: "Scanning contractors"

    Message-Id: <200010060620.XAA16890@dns.ccit.arizona.edu>
    Date:         Fri, 6 Oct 2000 08:20:14 +0200
    From: Emil Levine <mailto:emil.levine@CHELLO.AT>
    Subject:      Film vs Image vs COM
    To: mailto:IMAGELIB@LISTSERV.ARIZONA.EDU
    

    <pre> Sorry I do not have the full citation but Anne Kenney has addressed some of these issues of COM/film in her excellent research from Cornell.

    Emil Levine

    ----- Original Message ----- From: Ruth Oliver <mailto:ruth.oliver@NATLIB.GOVT.NZ> To: <mailto:IMAGELIB@LISTSERV.ARIZONA.EDU> Sent: Friday, October 06, 2000 4:36 AM Subject: Re: LC National Digital Library Program announces 2nd release oftheBell Papers

    > Thanx for sending me a blind copy; I often find that I don't have time to
    read this notice board so when you point things out to me I'm really happy to make sure I do find time to read it.
    > R
    >
    > >>> mailto:David.Adams@natlib.govt.nz 10/06/00 01:33 >>>
    > It was of interest to note the 'scan first' approach in the Bell Papers
    project.
    >
    > In a previous project (The George Washington Papers) the manuscripts were
    microfilmed first and then the microfilms were digitized.
    >
    > I have a few questions:
    > 1. Was an archival microfilm (COM) produced for the Bell Papers from the
    digitized images?
    > 2. Why microfilm one collection first but not the other?
    > (was this because a microfilm already existed for the Washington Papers,
    or this gave the opportunity to trial both the 'scan first' and 'film first' hybrid approaches)
    >
    >
    > I would also like to say how well (in both clarity and efficiency) these
    collections are being delivered via the Internet.
    >
    > David Adams
    > Team Leader Copying Services
    > National Library of New Zealand
    > +64 4 4743151
    > Visit "Timeframes" New Zealands leading source of heritage images
    > http://timeframes.natlib.govt.nz/
    >
    > >>> mailto:tswo@LOC.GOV 09/30/00 09:26 >>>
    > This message is being widely posted
    > ********************************************
    >
    > The Library of Congress National Digital Program and the Manuscript
    > Division announce the second release of digital images of the Alexander
    > Graham Bell Family Papers at the following url:
    >
    > http://memory.loc.gov/ammem/bellhtml/.
    >
    > National Digital Library staff continues to work on digital production
    > activities, and the completed version of this online collection will
    > ultimately represent a portion selected from the original Bell Papers
    > and comprise approximately 4700 items, totaling about 38,000 images.
    >
    > The second release contains over 4500 items consisting of
    > correspondence, scientific notebooks, journals, blueprints, sketches,
    > and photographs documenting Bell's invention of the telephone and his
    > involvement in the first telephone company, his family life, his
    > interest in the education of the deaf, and his aeronautical and other
    > scientific research. Included among Bell's papers are his first sketch
    > of the telephone and pages from an experimental notebook, dated March
    > 10, 1876, that describe the first successful experiment with the
    > telephone, during which he spoke through the instrument to his
    > assistant, Thomas Watson, the famous words, "Mr. Watson-- Come here -- I
    > want to see you." Also included in this update are Bell's notes and
    > photographs of his aeronautical work and correspondence from such noted
    > individuals as Helen Keller, Marie Curie, Edward Gallaudet, Joseph
    > Henry, William James, and Guglielmo Marconi.
    >
    > Digitizing the Collection
    >
    > The selection of the Bell Papers was scanned as 300 dpi grayscale images
    > which were compressed using JPEG compression, producing images in the
    > JPEG File Interchange Format (JFIF). Typically, the National Digital
    > Library Program (NDLP) has used grayscale to digitize historical
    > manuscripts because of its ability to capture and display the diversity
    > of tones in manuscript papers and the varying nuances produced by
    > handwriting, pencil, and ink. The grayscale format can also often
    > suppress the bleedthrough typical of handwritten documents in the Bell
    > Papers. Because JPEG images require considerable time to download,
    > grayscale GIF images were created as well for convenient access using
    > the NDLP page-turner feature. The materials were scanned onsite by the
    > NDLP paper scanning and text conversion contractor. UMAX flatbed
    > scanners were used to digitize most of the manuscripts after this
    > procedure was approved by the Conservation Division, and an overhead
    > Phase I camera was used for bound and oversize materials. A few items
    > were also digitized by staff from the Library's Information Technology
    > Services (ITS) Scan Lab. The Bell team, ITS Scan Lab, and Systems
    > Integration Group staff worked with the Library's conservators to ensure
    > proper handling of the manuscripts during the physical processing of the
    > collection and subsequent scanning.
    >
    > Because efforts were made to preserve the look of the original
    > documents, digital images reflect their original physical condition as
    > well. Due to age and past handling, many of the original materials are
    > discolored, stained, or fragile. Their digital images therefore may
    > show discolorations, heavy fold markings, and various tones in the
    > paper. Those items made from unusually thin paper sometimes show
    > bleedthrough--where the ink or printing on the verso (back) of a page
    > can be seen on the recto (front)--which even the grayscale format could
    > not suppress. Additionally, a few letters written on colored paper have
    > produced images darker than usual because they have been digitized in
    > grayscale format and not in color. Some digital images of
    > correspondence appear to have light or faded text that might be
    > difficult to read. This is often because either the handwriting strokes
    > are very thin or the ink or pencil has faded on the original materials.
    > Finally, some of the photographs either have faded over time or were
    > originally dark and, consequently, their digital images may be dark as
    > well.
    >
    > Roughly half of the collection consists of original typescript letters
    > and documents, correspondence with transcripts, and other printed items.
    > These typescript materials were converted to machine-readable form at an
    > accuracy rate of 99.95 percent and encoded with Standard Generalized
    > Markup Language (SGML), according to the American Memory Document Type
    > Definition (DTD). This DTD is a markup scheme that conforms to the
    > guidelines of the Text Encoding Initiative (TEI), the work of a
    > consortium of scholarly institutions. The text of the transcripts and
    > original typescripts has been translated to HTML for indexing and
    > viewing on the World Wide Web.
    >
    > This collection is being made available through the generous support of
    > the AT&T Foundation.
    >
    > Please direct any questions about American Memory collections to
    mailto:NDLPCOLL@loc.gov

    </pre>



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