Message-Id: <200110311558.f9VFwxL29737@sitelicense.arizona.edu> Date: Wed, 31 Oct 2001 10:57:30 EST From: Kari Kraus <mailto:KKraus27@AOL.COM> Subject: William Blake Archive Update To: mailto:IMAGELIB@LISTSERV.ARIZONA.EDU
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An update on the William Blake Archive from its editors follows.
Kari Kraus
University of Rochester
31 October 2001
The William Blake Archive <www.blakearchive.org> is pleased to announce
the publication of new electronic editions of _The Marriage of Heaven and
Hell_ copy G and _Visions of the Daughters of Albion_ copy P, both printed
c. 1818. This is the first reproduction of _Marriage_ copy G and the first
full color reproduction of _Visions_ copy P since the badly-degraded
filmstrips produced by Micro Methods Ltd. in the 1970s.
_The Marriage of Heaven and Hell_ copy G is in the Houghton Library,
Harvard University, and _Visions of the Daughters of Albion_ copy P is in
the Fitzwilliam Museum, Cambridge. They join copies of _Marriage_ and
_Visions_ from other printings: _Marriage_ copies C (1790), H
(1790/1821), F (1794), D (1795), and I (1827), and _Visions_ copies C
and J (1793), F (1794), and G (1795). Other copies of _Marriage_ and
_Visions_ are forthcoming: _Marriage_ copy K (plates 21-24) and copies L
and M (plates 25-27), from the first printing of the plates in 1790,
with plates 24 and 25 in first states; and _Visions_ copy O, printed with
copy P.
The electronic editions have newly edited SGML-encoded texts and new
images scanned and color-corrected from first-generation
4x5" transparencies; text and images are each fully searchable and
supported by the Inote and ImageSizer applications described in our
previous updates. With the Archive's recently added comparison feature,
users can easily juxtapose multiple impressions of any plate across the
different copies of an illuminated book.
With the publication of these two titles, the Archive now contains fully
searchable and scalable electronic editions of 45 copies of 18 of Blake's
19 illuminated books in the context of full bibliographic information
about each work, careful diplomatic transcriptions of all texts, detailed
descriptions of all images, and extensive bibliographies. They also join
our searchable SGML-encoded electronic edition of David V. Erdman's
_Complete Poetry and Prose of William Blake_. With the forthcoming
publication of _Jerusalem_ copy E, the Archive will contain at least one
copy of each of Blake's works in illuminated printing and multiple copies
of most.
_Marriage_ copy G, one of nine extant copies, is the only copy with a
variant plate order (1-11, 15, 14, 12, 13, 16-27) that can be traced
directly to Blake, and it is the first of his last two copies in which the
cave and rock forms on plates 10, 11, 15, and 20 were printed. These forms
were part of the original designs as executed on the plates but were wiped
of ink in all earlier copies and thus did not print; they show up only in
this copy and copy I.
The early histories of _Marriage_ copy G and _Visions_ copy P are not
known, but they were bound together (with _The Book of Thel_ copy N) until
1890. They also share the same printing session and printing and coloring
styles. Both are printed in red-orange ink on one side of RUSE &
TURNERS/1815 paper and finished in watercolors and pen and ink. Each
impression is numbered in the top right corner and bordered by one thin
line drawn in red-orange ink a little over a centimeter around the image,
setting off each page like a miniature painting. These extraordinarily
beautiful copies were produced in the same session with other books in the
Archive: _The Book of Thel_ copy O and _The Book of Urizen_ copy
G. This late style, which Blake also used c. 1821-22 and 1825-27, can be
seen in other books in the Archive: _America a Prophecy_ copy O and
_Europe a Prophecy_ copy K, published earlier this year, _Songs of
Innocence and of Experience_ copies Z and AA, and _The Marriage of Heaven
and Hell_ copy I.
The editors of the Archive recently photographed over 1250 works by Blake
in the British Museum, Department of Prints and Drawings, including all
537 water colors illustrating Edward Young's _Night Thoughts_ and
hundreds of pencil sketches (nine newly discovered), drawings, and
watercolors.=A0 Over the next few years, we will be adding this extensive
collection of books, prints, and drawings to the Archive. Many of
these works will be reproduced in color for the first time.
Morris Eaves, Robert N. Essick, and Joseph Viscomi, editors
Matthew G. Kirschenbaum, technical editor
The William Blake Archive
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<HTML><FONT FACE=3Darial,helvetica><FONT SIZE=3D2>An update on the William=20=
Blake Archive from its editors follows.
<BR>
<BR>Kari Kraus
<BR>University of Rochester
<BR>
<BR>
<BR>31 October 2001
<BR>
<BR>The William Blake Archive <www.blakearchive.org> is pleased to ann=
ounce
<BR>the publication of new electronic editions of _The Marriage of Heaven an=
d
<BR>Hell_ copy G and _Visions of the Daughters of Albion_ copy P, both print=
ed
<BR>c. 1818. This is the first reproduction of _Marriage_ copy G and the fir=
st
<BR>full color reproduction of _Visions_ copy P since the badly-degraded
<BR>filmstrips produced by Micro Methods Ltd. in the 1970s.
<BR>
<BR>_The Marriage of Heaven and Hell_ copy G is in the Houghton Library,
<BR>Harvard University, and _Visions of the Daughters of Albion_ copy P is i=
n
<BR>the Fitzwilliam Museum, Cambridge. They join copies of _Marriage_ and
<BR>_Visions_ from other printings: _Marriage_ copies C (1790), H
<BR>(1790/1821), F (1794), D (1795), and I (1827), and _Visions_ copies C
<BR>and J (1793), F (1794), and G (1795). Other copies of _Marriage_ and
<BR>_Visions_ are forthcoming: _Marriage_ copy K (plates 21-24) and copies L
<BR>and M (plates 25-27), from the first printing of the plates in 1790,
<BR>with plates 24 and 25 in first states; and _Visions_ copy O, printed wit=
h
<BR>copy P.
<BR>
<BR>The electronic editions have newly edited SGML-encoded texts and new
<BR>images scanned and color-corrected from first-generation
<BR>4x5" transparencies; text and images are each fully searchable and
<BR>supported by the Inote and ImageSizer applications described in our
<BR>previous updates. With the Archive's recently added comparison feature,
<BR>users can easily juxtapose multiple impressions of any plate across the
<BR>different copies of an illuminated book.
<BR>
<BR>With the publication of these two titles, the Archive now contains fully
<BR>searchable and scalable electronic editions of 45 copies of 18 of Blake'=
s
<BR>19 illuminated books in the context of full bibliographic information
<BR>about each work, careful diplomatic transcriptions of all texts, detaile=
d
<BR>descriptions of all images, and extensive bibliographies. They also join
<BR>our searchable SGML-encoded electronic edition of David V. Erdman's
<BR>_Complete Poetry and Prose of William Blake_. With the forthcoming
<BR>publication of _Jerusalem_ copy E, the Archive will contain at least one
<BR>copy of each of Blake's works in illuminated printing and multiple copie=
s
<BR>of most.
<BR>
<BR>_Marriage_ copy G, one of nine extant copies, is the only copy with a
<BR>variant plate order (1-11, 15, 14, 12, 13, 16-27) that can be traced
<BR>directly to Blake, and it is the first of his last two copies in which t=
he
<BR>cave and rock forms on plates 10, 11, 15, and 20 were printed. These for=
ms
<BR>were part of the original designs as executed on the plates but were wip=
ed
<BR>of ink in all earlier copies and thus did not print; they show up only i=
n
<BR>this copy and copy I.
<BR>
<BR>The early histories of _Marriage_ copy G and _Visions_ copy P are not
<BR>known, but they were bound together (with _The Book of Thel_ copy N) unt=
il
<BR>1890. They also share the same printing session and printing and colorin=
g
<BR>styles. Both are printed in red-orange ink on one side of RUSE &
<BR>TURNERS/1815 paper and finished in watercolors and pen and ink. Each
<BR>impression is numbered in the top right corner and bordered by one thin
<BR>line drawn in red-orange ink a little over a centimeter around the image=
,
<BR>setting off each page like a miniature painting. These extraordinarily
<BR>beautiful copies were produced in the same session with other books in t=
he
<BR>Archive: _The Book of Thel_ copy O and _The Book of Urizen_ copy
<BR>G. This late style, which Blake also used c. 1821-22 and 1825-27, can be
<BR>seen in other books in the Archive: _America a Prophecy_ copy O and
<BR>_Europe a Prophecy_ copy K, published earlier this year, _Songs of
<BR>Innocence and of Experience_ copies Z and AA, and _The Marriage of Heave=
n
<BR>and Hell_ copy I.
<BR>
<BR>The editors of the Archive recently photographed over 1250 works by Blak=
e
<BR>in the British Museum, Department of Prints and Drawings, including all
<BR>537 water colors illustrating Edward Young's _Night Thoughts_ and
<BR>hundreds of pencil sketches (nine newly discovered), drawings, and
<BR>watercolors.=A0 Over the next few years, we will be adding this extensiv=
e
<BR>collection of books, prints, and drawings to the Archive. Many of
<BR>these works will be reproduced in color for the first time.
<BR>
<BR>Morris Eaves, Robert N. Essick, and Joseph Viscomi, editors
<BR>Matthew G. Kirschenbaum, technical editor
<BR>The William Blake Archive
<BR>
<BR></FONT></HTML>
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